Existential crisis

Friday - This marks the end of my first week at work and what a tumultous week it has been, emotionally.

I've finally been assigned my permanent desk, extension number, computer and... my news beat - which I have been asked to focus on indefinitely.

And if you ask me in all honesty... work has been a big comedown.

London, to me, had been an exciting year - shitty in the part of where I lived, but nonetheless exhilarating in what I learned and experienced. Thoughts are on collision courses in my mind right now I'm even finding it hard to give structure, or chronology, or expression to what I really want to say. So I'm just going to say it, however disjointed.

I learnt while doing our newspaper that the sexy beats were crime and politics - I was in charge of the business news then and it was hardly exciting, rarely made page one. Companies want to read about other companies and such news exist better in a trade publication. News was about the everyday, news is about the everyman. Sex, crime, scandal, politics.. they made it to the front pages of our newpaper and after much contemplation, I decided being a good general news reporter, like the jack of all trades though master of none, is fine by me. It's what I thought I wanted to do. I want news to change.

Then, we moved on to creating websites and magazines and I was always in some form of control over editorial content. I learnt how to use lots of software, I became the designer, everything was conceptualized from front end, to the back end, by us - always by us.

The newspapers/magazines I worked for in London like The Times and The Independent, had a high professional standard of journalism I really aspired to. The newsroom always had an air of excitement - the Labour Party Conference tommorow, Israel's progress in Lebanon today, Africa dying from Aids, the next upcoming West End production, the scadalous minister... you name it, it was there. It happened. Things happened. And you could report it.

Now everything's different here.

And I know it's unfair to compare as our country's so little in comparison (yet so admirable in what it's achieved precisely because of its size) but I'm now suddenly overwhelmed with this feeling of insignificance, of triviality, of futility... of disappointment.

It's also difficult to compare because of the unique government-press relations that this country has, but it hasn't made me feel any better even after understanding the limitations.

I had two days of IT training and induction this week - learning the new systems, getting back into the groove of things... and then I was seconded to help out with the urgently-rushed production of a particular book before actually reporting to newsdesk. Because our digital archives only went back to 1989, I had to physically type out some stories way back from 1968 till 1989... and in the process, I've read some good work, some alright. But what I've been amazed by, foremost, is the level of expression, or permitted expression, I should say, in the editorial content back then. There's no chance we'd be allowed to write the same way now. There's something that's sorely lacking [with the present]... but I can't quite put my finger on it. If only we were given more freedom. If only we can persist in fighting, in writing despite it.

I can only hope to make a difference with my own work in the future.

So now I've assigned to a beat which I'm not exactly terribly excited about. People, however, have been telling me it's actually a pretty good beat to work on - I have yet to be convinced but I'm definitey give it my best shot. After all, nothing happens exactly the way you want it to be. (Unless you're very lucky.)

Ultimately, I think this entire episode is just a reality check. I had it in my head that I was going to step into a glamourous reporting job, writing sexy news and breaking stories. My idealistic notions of journalism comprised of being in an exciting newsroom, writing quality, intellectually funny stuff of the G2 species. But in reality, not every newsroom, or every job, is going to be pretty.

I have to remind myself even at these Fleet Street papers I was writing the text for the infographics of the war in Lebanon, or interviewing people and doing research, only saving it to serve it on a silver platter for those who were there before me, fighting for a byline which they doggedly refuse to share.

In truth, my existential crisis is probably nothing more than the shattering of my rose-tinted vision, and the realisation that I just have to do my time. My quest for the extraordinary will only emerge through the ordinary, and I realise with horror that what I need is... patience. A virtue I have been often accused of being sorely in lack of. So I shall have to just, in the words of a friend once, suck it up.

Welcome to the working world, oh what growing pains.




(Note: Adding to my woes is that after being a full Mac convert for more than a year now, the very sight of my PC and the Windows operating system actually repulses me. I stare wistfully at my screen and wish for the interface to be the one I've been so used to looking at. I hate the fonts, I hate the colours, I've spent hours trying to change the look of the damn windows but it refuses to be manipulated!

In addition, I'm sitting near this lady who when she does her interviews over the phone, emits a sort of lazy-hazy 'hmmm.... hmm..... HMMMMMMM...' every five seconds that gives me the creeps. It's like a half-formed moan and after about five minutes of hearing this, I feel like I'm inhabiting some sort of alien space between the dead and the living. )